Extreme close up of eye then cuts to close-up of the mans face to reveal his emotions
Close up of his hands shows how he is nervous/upset.
Extreme close-up of the second daughter’s and his own face to reveal their emotions following her declining holding his hand.
Cuts from the close-up to a long shot to establish location – graveyard conventionally seen in crime dramas.
Cut between close-up of his hands and then to his daughter grabbing his hand establishes his relationship with one of his daughters. It then cuts to another close-up of him reaching for his other daughter’s hand, which she then knocks away, contrasting the other girl which makes their relationship a lot clearer.
Quiet, non-diegetic music in the background whilst vicar says prayer
Dialogue from daughter, ‘yeah right’, establishes her dislike for her father and creates an enigma as you want to know why she hates him so much.
Black suits and religious clothing with the distinctive graveyard establishes that someone has died – creates an enigma as to who has died and how it happened.
Simplistic hair and make-up
Props include a coffin and memorial flowers.
Closing scene
Zooms into an extreme close-up of man's face to highlight emotion
Tracking shot into Sia's room to reveal her crying with soft focus in the background to emphasize her body language
Zooms out as the garage door opens to reveal JoJo, then zooms in again as the door closes to a close-up of his face to highlight his distress
Tracking shot towards JoJo by the freezer which then becomes a panning shot to reveal Chris' body
Cuts quickly between each character's current situation
Cuts from JoJo looking distress/scared directly to Tom in the car -> creates more of an enigma as the viewer must watch till the end of the episode to find out what is happening.
Montage of previous events creates an enogma as it doesn't all completely make sense – audience must continue watching to find out.
Dramatic, non-digetic music in background to add to the tense atmosphere
Hyperbolic crying
Changes to more eerie music as they garage opens – highlights the change of atmosphere from tense to nervous/scared
Quiet, eerie music in the background as JoJo cleans the freezer.
Music builds when Pete is revealed and when revealing Chris' body – adds to the dramatic effect
Realisticcolourpalette
Grey, cloudy sky and wet ground from rain -> pathetic fallacy
Simple + realistic wardrobe and make-up, but each item of clothing indicating social class/socioeconomic grouping.
Lighter colourpallette/lighting used in the scene with Tom and the other boy – could be sign of hope (which antithisises the tones used with JoJo and his family as they have no hope)
Overall, I think the Audio-Visual aspect of the coursework could have gone a lot better. I was happy with the narrative and what I got filmed but I struggled when it didn't reach the required time limit. Therefore, I had to rush to film some more footage and edit it together to make the title sequence which I wasn't too pleased with. There's also a lot of fillers between the dialogue as the people playing the characters weren't too confident with the script. I felt a lot better about my magazine cover as I think I used a lot of the magazine conventions that I wanted to use. I think my double page spread was maybe a bit too overcrowded but I wanted to make sure I could fit in some stills of the programme in order to have more convergence between the two products. I also feel a lot better about the main photos used for the magazine as they had direct eye contact with he audience whereas the ones I previously used didn't.
I personally think this location is better than the previous one as it has more open space and a clearer entrance. It is similarly derelict, contributing to the atmosphere and tone of the scene. Also, it is also clearly in a rural environment, so stays with what I wanted for the mise-en-scene. However, it is quite close to some allotments so there may be people nearby making some noise but it shouldn't be too distracting.
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